For instance, McEwan’s cockroach-turned-human (named Jim Sams) is especially revolted by the “slab of slippery meat” in his mouth that can slide “across the immensity of his teeth,” – yet the characters can embrace their new bodies with relative ease once they are used to it. Those familiar with Kafka’s work will notice the similarities between the two works, especially in regard to the sheer disgust each respective transformed character has for their new bodies. I will leave exactly how the policy would work (and its faux history) for the book, but needless to say is absurd as it sounds – a point McEwan would probably also attribute to a Boris Johnson imposed Brexit.
His goal is to highlight the absurdity of arguing for an economic platform under the guise of unyielding nationalistic impulses – all while noting the political effectiveness these calls for “patriotism” have on the general public. In a tone meant to besmirch the politicians looking for a hard Brexit and the citizens who voted narrowly for the measure, McEwan’s Reversalists concoct outrageous slogans and political strategies to undermine the Clockwise cause, with a dubious public sphere along for the ride. He is surrounded by many ministers that are also cockroaches/humans in disguise, and they are on the lookout for “closet Clockwisers” who look to subvert the actions of the Reversalists. The followers of Jim Sams, the cockroach in disguise, are known as “Reversalists” while their opponents are known collectively as “Clockwisers.” McEwan mirrors the political spectrum prevalent today in Britain – “Hard Reversalists” and “Soft Reversalists” are clearly meant to invoke the spirit of current British Hard and Soft Brexiters – and he exaggerates the the political maneuverings and logical fallacies of both parties, although the Brexiters/Reversalists undoubtedly take the brunt of the punishment. The plotline in the book centers around the absurd idea of “reversing” the flow of money – meaning you would have to pay to work, you would get money to buy things, a hotel would have to pay guests to stay, etc. Perhaps the time has passed for satire to be effective and instead we are now living out the dreams (or nightmares) of satirists every day.
All is not normal inside his conscience, the frame with which we view much of this short novel, as the character is singularly bent on one issue obviously meant to allude to the current Brexit crisis unfolding now. We meet the cockroach/human after he has already awakened in the body of what is the Prime Minister of Britain, and the creature has a “natural-born” ability to speak, tie his shoes, dress, walk, and talk. In a spin on Franz Kafka’s ‘The Metamorphosis,’ Booker-Prize winning author Ian McEwan has created a world in which a cockroach has transitioned into a man, and this man has the control of the British government.
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